• Drum Set and Percussion Setups from Musical Theatre and More

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Below you'll find the latest 100 Setup Shots from Broadway, Regional Theaters, Session Work, Road Tours and more.

Lots of fun setups to look at.

Scroll down to read what gear they used and what they had to say about their setup.

There are over 400 setups from drum set players and percussionists.

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Billy Miller
The Miller Machine
Seattle, Washington.

Aladdin - London's West End - Shan Chana

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Shan Chana's percussion setup for Aladdin at the Prince of Wales Theatre in London's West End.

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Hairspray - International - Tim Sellars

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Tim Sellars' drum set setup for Hairspray at the Isaac Theatre Royal in Christchurch, New Zealand for Showbiz Christchurch.

"You'll notice that I have a heavy set up of gear on my left side and this is due to me playing open handed."

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Hairspray - International - Craig Given

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Craig Given's percussion setup for Hairspray at the Isaac Theatre Royal in Christchurch, New Zealand for Showbiz Christchurch.

"I made some special double sided mallets to deal with the fast changes between glock and timpani in 'I Can Hear the Bells'"

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Ragtime - International - Craig Given

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Craig Given's combined book setup for Ragtime at the National Academy for Singing and Dramatic Art (3rd Year Students Production) in Christchurch, New Zealand.

“I decided to take the two books (drum set and percussion) and combine as much as possible into a single book.”

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New York Spectacular at Radio City - Joshua Mark Samuels

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Joshua's Mark Samuels' drum set setup for the New York Spectacular at Radio City.

"This show was incredible not just because the orchestra and music was fantastic, but also because during one number in the middle of the show, the percussionist and I got off the band car, changed into costumes and headed up to the stage where we ran down the aisle and performed bucket solos."

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Evita - International - Craig Given

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Craig Given’s percussion setup for Showbiz Christchurch’s production of Evita at the Isaac Theatre Royal in Christchurch, New Zealand.

“I enjoyed being able to mix guaguanco and samba influenced conga rhythms in this tune, along with some nice opportunities for timbale fills and cascara patterns.”

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Evita - International - Tim Sellars

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Tim Sellars’ drum set setup for Showbiz Christchurch’s production of Evita at the Isaac Theatre Royal in Christchurch, New Zealand.

“You may notice that I have the majority of my cymbals on my left side as well as a floor tom to the left of the hi-hat. This is due to me being a left hander, playing on a right handed kit.”

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Fiddler On The Roof - Regional - Chris Roberts

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Chris Roberts’ setup for Fiddler On The Roof at the Plymouth State University in Plymouth, New Hampshire.

“I played around with my cymbal choices a bit but went with a 16" and 18" crash. There isn't very much ‘riding’ and I wanted the option to be able to have two crash sounds.”

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Fame - Tour - Brett Beiersdorfer

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Brett's drum-set setup for the national tour of Fame - The Musical at the Stanley Theatre in Utica, New York.Read/See more...

Little Shop of Horrors - Regional - Skyler Fortgang

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Skyler Fortgang’s percussion setup for Little Shop of Horrors at The Livingston Theater Company at Rutgers University in New Brunswick, New Jersey.

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Pippin - Regional - Michael Dooley

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Michael Dooley’s percussion setup for Pippin at Heritage High School in Frisco, Texas. This is the 2006 MTI version.

“I had to pick and choose which instruments I could cover per number, using the criteria 1) ‘Can I do this and still sound good’ and 2) ‘What is the most important sound to have here’”.

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Finding Neverland - Tour - Greg Germann

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Greg Germann’s combined book setup for the National Tour of the Broadway show Finding Neverland at the Paramount Theatre in Seattle, Washington.

“The orchestra read was really fun because Elliott Kennedy, the composer and Simon Hale, the orchestrator, were open to letting me try out a few new things.”

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Seussical - Regional - Chris Roberts

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Chris Roberts’ combined book for the Hamilton-Wenham Regional High School production of Seussical in South Hamilton, Massachusetts.

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Pajama Game - Regional - Paul Hansen

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Paul Hansen’s percussion setup for Pajama Game at the 5th Avenue Theatre in Seattle, Washington.

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Urinetown - Regional - Chris Roberts

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Chris Roberts’ setup for Urinetown at Dartmouth College in Hanover, New Hampshire.

“…This was when I was told the pit was literally a pit (no stairs, or elevators) and the only access were two ladders (one on either side)”

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Ragtime - Regional - Paul Hansen

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Paul Hansen’s setup for Ragtime at the 5th Avenue Theatre in Seattle, Washington.

“Seen here are many of my usual stock effects…”

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Bandstand - Broadway - Adam Wolfe

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Adam Wolfe’s setup for the Broadway production of Bandstand at the Bernard B Jacobs Theatre in New York City.

“When the onstage drummer is playing, I’m either tacet or playing percussion.”

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Dreamgirls - Regional - Alec Wilmart

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Alec Wilmart’s percussion setup for Dreamgirls at the Village Theater in Seattle, Washington.

“I listened to a lot of Jackie Wilson, James Brown, Temptations, Supremes, and Earth Wind and Fire to help prepare the different bongo and conga grooves.”

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Dreamgirls - Regional - Jim Reif

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Jim Reif’s drum set setup for Dreamgirls at the Village Theater in Seattle, Washington.

“The fun never stops and the train keeps on moving.”

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Seussical - Regional - Scot Sexton

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Scot Sexton’s combined book setup for Seussical with Broadway Bound in Seattle, Washington.

“…I knew I would be juggling sticks, page turns, shakers, and beaters so as I was combining the books I was also working on my layout and choreography.”

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Cats - Broadway - Dave Roth

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Dave Roth’s percussion setup for the Broadway revival of Cats at the Neil Simon Theatre.

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Cats - Broadway - Bill Lanham

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Bill Lanham’s drum set setup for the 2016-2017 Broadway Revival of Cats at the Neil Simon Theatre.

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Miss Saigon - Broadway - Ray Marchica

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Ray Marchica's drum set setup for the 2017-2018 Broadway revival of Miss Saigon at the Broadway Theatre.

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Miss Saigon - Broadway - Chihiro Shibayama

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Chihiro Shibayama's percussion setup for the 2017-2018 Broadway revival of Miss Saigon at the Broadway Theatre.

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The 25th Annual Putnam County Spelling Bee - International - Rob Holinaty

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Rob Holinaty’s setup for The 25th Annual Putnam County Spelling Bee at the Drury Lane Theatre in Burlington, Ontario, Canada.

“Incorporating the electronics has saved me a lot of space without sacrificing parts of the score.”

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Seussical - Regional - Brandon Levesque

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Brandon Levesque’s percussion setup for Rhode Island College’s production of Seussical.

"For the crotale sound, I cut a timbale mallet down and screwed a finger cymbal to the top, using that as a mallet on the bells."

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Hello, Dolly! - Broadway - Andy Blanco

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Andy Blanco’s percussion setup for the Broadway production of Hello, Dolly!

“Other than a few sections with some very fast instrument switches, the book is straight ahead and a lot of fun to play.”

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Between The Lines - Regional - Sam Wisman

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Sam Wisman’s setup for the world premiere and regional tryout of Between The Lines at the Kansas City Repertory Theatre in Kansas City, Missouri.

“The styles and sounds required range from classic Broadway to swing, vaudeville, orchestral, rock, and disco.”

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In The Heights - Regional - Angel Williams

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Angel Williams’ percussion setup for In The Heights at the Judge Memorial High School in Salt Lake City, Utah.

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Groundhog Day - Broadway - Howard Joines

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Howard Joines’ setup for the Broadway production of Groundhog Day at the August Wilson Theatre.

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Kiss Me Kate - Regional - Scot Sexton

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Scot Sexton’s combined book setup for the Seattle Musical Theaters production of Kiss Me Kate in Seattle, Washington.

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Ain't Misbehavin' - Regional - Scot Sexton

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Scot Sexton’s setup for the Seattle Musical Theater's production of Ain’t Misbehavin’ in Seattle, Washington.

"The drums I chose on this production are refurbished vintage Ludwig’s that I put Slingerland Beavertails on."

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The Wizard of Oz - International - George English

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George English’s setup for The Wizard of Oz at the Crucible Theatre in Sheffield, England.

"As you’ll see from the photos, there’s a large amount of gear, some might say excessive..."

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Chicago - International - Tim Sellars

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Tim Sellars' setup for Chicago at the Court Theatre in Christchurch, New Zealand.

"For the ‘clank’ sound I went with a car brake drum..."

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Bright Star - Tour - Steve Bartosik and Joe Mowatt

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Joe Mowatt on Steve Bartosik’s setup for the National Tour of Bright Star.

"The use of a Remo Frame Drum on a towel on top of the floor tom made for a perfect ‘suitcase’ sound when played with Promark Broomsticks."

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Aladdin - Tour - Joshua Mark Samuels


Joshua Mark Samuels’ percussion setup for the North American tour of Aladdin at the Paramount Theatre in Seattle, Washington.

“I had to figure out ways to make the rig smaller without losing any instruments, even to the point of having to crawl under the xylophone in order to get in and out of the setup itself.”

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Aladdin - Tour - Danny Taylor


Danny Taylor’s drum set setup for the North American tour of Aladdin at the Paramount Theatre in Seattle, Washington.

“I took the jingles off of an LP Cyclops Jingle Ring and placed a band of ankle bells on it instead, which I then attached to a DW Lowboy Hi Hat Pedal.”

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Pippin - Regional - Will Marinelli

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Will Marinelli's percussion setup for the Hightstown High School's production of Pippin in Hightstown, New Jersey.

"Just prior to downbeat on our final show, the soundboard died."

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Sweeney Todd - Regional - Sam Wisman

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Sam Wisman’s combined book setup for Sweeney Todd at Kansas City Repertory Theatre.

"I mount as much as possible from STRONG cymbal stands and stack cymbals to save space and allow easy one handed rolls."

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Dirty Dancing - Tour - Ryan McCausland

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Ryan McCausland's percussion setup for the National Tour of Dirty Dancing at the Eisenhower Auditorium at Penn State in University Park, Pennsylvania.

"Because the orchestra is meant to play a role in the show, many of us were worked into certain scenes and have onstage appearances during certain numbers."

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Curtains - International - Rob Holinaty

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Rob Holinaty’s combined book setup for Curtains at the Drury Lane Theatre in Burlington, Ontario, Canada.

"I am running a microKORG as a MIDI controller through my MacBook Pro into MainStage..."

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Spamalot - International - Petter Nilsen

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Petter Nilsen’s combined book setup for Spamalot at Romerike Folkehøgskole, in Jessheim, Norway.

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Love Never Dies - Tour - Aaron Nix

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Aaron Nix's setup for the 2018 National Tour of Love Never Dies at the Paramount Theatre in Seattle, Washington.

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The Hunchback of Notre Dame - Regional - Paul Hansen

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Paul Hansen's setup for the The Hunchback of Notre Dame at the 5th Avenue Theatre in Seattle, Washington.

"The Tam Tam has the mounted 'throw ‘n’ go' mallet mount."

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Pageant - Regional - Scot Sexton


Scot Sexton’s setup for Pageant: The Musical Comedy Beauty Competition at ACT Theatre in Seattle, Washington.

“This was for the premiere show of A Sensible Theatre Company in Seattle, Washington. It is a wonderful drum book, covering lots of different styles of music."

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Working - Regional - Dennis J. Arcano

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Dennis J. Arcano’s setup for a brand new, multimedia production of Stephen Schwartz's Working at ACT in Ridgefield, Connecticut.

"The drum set is a 1989 Pearl Export that I stripped off the original black drum wraps."

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Beauty and the Beast - Regional - Luke Hubley

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Luke Hubley’s percussion setup for Beauty and the Beast at Theater Under The Stars in Houston Texas.

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Matilda - Regional - Alec Wilmart

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Alec Wilmart's setup for Matilda at the Village Theatre in Issaquah, Washington.

"One of the coolest things about this book is the role of the Bass Drum. I can’t stress enough how important having a concert bass drum is for this show. The lower, the better."

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Dear Evan Hansen - Tour - Ryan McCausland

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Ryan McCausland’s setup for the National Tour of Dear Evan Hansen at the Paramount Theatre in Seattle, Washington.

"Being a part of this production has been an absolute dream come true for me."

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Guys and Dolls - Regional - Kory Andry

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Kory Andry's setup for Guys and Dolls at the Guthrie Theater in Minneapolis, Minnesota.

"Using Regal Tip Conga Sticks allows for movement from conga/bongos/djembe to timbales and crash cymbal."

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Urinetown - Regional - Eli Maniscalco

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Eli Maniscalco’s setup for Urinetown at the YMCA Boulton Center for the Performing Arts in Bay Shore, New York.

"As a working musician who gigs around town, I favor lightweight hardware that packs up small..."

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Austen's Pride - Regional - Dennis J. Arcano

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Dennis J Arcano's setup for Austen's Pride, a new musical of Pride and Prejudice at ACT in Ridgefield, Connecticut.

"This setup also included six foot pedals: two on the timpani, a kick drum pedal, a hi-hat pedal..."

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Into The Woods - Regional - Rex Lycan

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Rex Lycan’s setup for Into The Woods at the Old Town Temecula Theater in Temecula, California.

"At the end of the second act and at the end of 'Maybe They're Magic' there are tons of quick switches between snare drum and bells/xylophone. In order to achieve these difficult changes…"

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The Little Mermaid - Regional - Rex Lycan

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Rex Lycan’s percussion setup for The Little Mermaid at the Howard Brubeck Theatre in San Marcos, California.

"There was quite a bit of Latin bongo playing in this show, as well as plenty of orchestral numbers."

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Wicked - Tour - Paul Hansen

2019-07-05-wicked-tour-paul-hansen-68Paul Hansen’s percussion setup for the National Tour of Wicked at the Paramount Theater in Seattle, Washington.

"Stack it tall, keep it tight."

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Wicked - Tour - Tim Mulligan

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Tim Mulligan's drum set setup for the National Tour of Wicked at the Paramount Theater in Seattle, Washington.

At this performance, Chris Jago was subbing for Tim.

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The "Whoopie Case" - Paul Hansen

2019-07-05-wicked-tour-paul-hansen-89Paul Hansen's "Whoopie Case".

"One should always carry an emergency kit to every gig. You never know when you'll need a last minute shaker, duck call, slide whistle, kazoo, jaw harp…."

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Miss Saigon - Tour - Russ Nyberg

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Russ Nyberg's combined book setup for the 2018-2019 National Tour of Miss Saigon at the Providence Performing Arts Center in Providence, Rhode Island.

"I remember the learning curve being a lot steeper verses other shows because there was a bit of choreography and memorization involved. I ran the show down every day to prep as a sub and it certainly benefitted me once I played my first show."

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In the Heights - Regional - Patrick Lehosky

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Patrick Lehosky's percussion setup for In the Heights at the CM Performing Arts Center in Oakdale, New York.

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An American in Paris - Broadway - Andy Blanco


Andy Blanco’s percussion setup for the Broadway production of An American in Paris at The Palace Theatre in New York City.

“An unexpected addition to a fairly standard set up of instruments is the set of tuned cowbells (almglocken).”

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Beauty and the Beast - Tour - Kevin McNaughton

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Kevin McNaughton's combined setup for the touring production of Beauty and the Beast.

"We all have our ways of getting the exact sounds we want out of our instruments; here are some little adjustments I’ve made."

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Lion King - Broadway - Carter McLean

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Carter McLean's drum set setup for the Broadway production of Lion King currently running at the Minskoff Theatre.

"The best part of this show is all the styles you get to play. It has an African/Pop core and then branches off to Rock, Latin, R&B Ballads, and Big Drum breaks."

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Nick Bonaccio - Little Threepenny Music

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Nick’s Bonaccio'ssetup for Kurt Weill’s Little Threepenny Music (suite from Threepenny Opera) with the Eastman Wind Ensemble in Kilbourn Hall with guest conductor Charles Peltz of the New England Conservatory. Read/See more...

The King and I - Broadway - Dan Haskins

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Dan Haskins' percussion set up for Lincoln Center Theater’s production of The King and I, winner of the 2015 Tony Award for Best Musical Revival.

"This was the largest orchestra running on Broadway at 29 players, and also the largest cast at 51 actors/dancers. The drum-set and percussion parts were all played by one person."

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Nice Work If You Can Get it - Broadway - Eric Poland

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Eric Poland's drum set setup for Nice Work If You Can Get It from the 2012/2013 Broadway Revival at the Imperial Theatre.

"My goal was to get a sound closest to calf without having to deal with the upkeep and inconsistencies of natural heads.”

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Beetlejuice - Broadway - Joshua Mark Samuels

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Joshua Mark Samuels' percussion setup for the Broadway production of Beetlejuice at the Winter Garden Theatre.

“Kris (Orchestrator/Music Director) wrote some really challenging and non-stop percussion parts, which included fun toys like a waterphone, boxing bell, and flexatone, just to name a few.”

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Finding Neverland - Broadway - Joe Choroszewski

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Joe Choroszewski’s drum set setup for the Broadway production of Finding Neverland at the Lunt-Fontanne Theatre.

"The Roland pad is mostly integrated with the acoustic kit playing sampled sounds such as concert bass drum, metal pots and pans, and power toms with reverb."

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Finding Neverland - Broadway - Dave Roth

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Dave Roth’s percussion setup for the Broadway production of Finding Neverland at the Lunt-Fontanne Theatre.

"One of the biggest challenges in deciding what instruments to use was deciphering Simon’s descriptions due to his London background."

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Memphis - Regional - Whitney Kessling

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Whitney Kessling’s setup for Memphis at the Playhouse on the Square in Memphis, Tennessee.

“It was a pretty straight forward drum set show, and fortunately it used a triangle for one song, so I got to use my Miller Machine!”

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How the Grinch Stole Christmas - Regional - Russ Nyberg

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Russ Nyberg's combined book setup for Dr Seuss' How the Grinch Stole Christmas! at the Grand Ole Opry in Nashville, Tennessee.

"There are so many moments where a suspended cymbal roll or timpani hit is snuck into the middle of a groove."

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Once On This Island - Tour - Mariana Ramirez

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Mariana Ramirez's setup for the National Tour of Once On This Island at the Cadillac Palace Theatre in Chicago, Illinois.

"This unique hybrid set up...combined the basic structure of a drum set (kick drum, snare drum, hi hat, and cymbals) with hand drums such as congas, bongos, djembe, and surdo, making the congas the central sound of this set up instead of the snare drum."

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Cinderella - Regional - David Glover

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David Glover's setup for Cinderella at the North Allegheny Senior High School just North of Pittsburgh, Pennsylvania.

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The Cradle Will Rock - New York City Center Encores! - Billy Miller

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Billy Miller's setup from the New York City Center Encores! production of The Cradle Will Rock.

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Wicked - Broadway - Matt Vander Ende

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Matt Vander Ende's drum set setup from the currently running Broadway production of Wicked at the Gershwin Theatre.

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Wicked - Broadway - Andy Jones

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Andy Jones' percussion setup from the currently running Broadway production of Wicked at the Gershwin Theatre.

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The Last Ship - Broadway - Trey Files

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Trey Files' setup for the Broadway production of Sting's The Last Ship at the Neil Simon Theatre.

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Mamma Mia - Broadway - Ray Marchica

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Ray Marchica's drum set setup for the Broadway production of Mamma Mia at the Broadhurst Theatre.

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Mamma Mia - Broadway - David Nyberg

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David Nyberg's percussion setup for the Broadway production of Mamma Mia at the Broadhurst Theatre.

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The Life - Regional - Matthew Dudek

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Matthew Dudek's percussion setup for Cy Coleman’s The Life at Oakland University in Rochester, Michigan.

"Like most percussion books, the difficulty was primarily in the choreography of instrument to instrument."

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The Last Ship - Broadway - Joe Bonadio

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Joe Bonadio's setup for the Broadway production of Sting's The Last Ship at the Neil Simon Theatre.

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How the Grinch Stole Christmas - Madison Square Garden - Dave Roth

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Dave Roth's percussion setup for the Madison Square Garden production of Dr Seuss' How the Grinch Stole Christmas! in New York City.

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How the Grinch Stole Christmas - Madison Square Garden - Greg Landes

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Greg Landes' drum set setup for the Madison Square Garden production of Dr Seuss' How the Grinch Stole Christmas!

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Big Fish - Broadway - Billy Miller

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Billy Miller's percussion setup for the Broadway production of Big Fish at the Neil Simon Theatre.

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Big Fish - Session - Billy Miller

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Billy Miller's percussion setup for the cast recording of the Broadway musical Big Fish at MSR Studios in New York City.

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Big Fish - Broadway - Perry Cavari

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Perry Cavari's drum set setup for the Broadway production of Big Fish at the Neil Simon Theatre.

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The Addams Family - Broadway - Billy Miller


Billy Miller’s percussion setup for the Broadway production of The Addams Family at the Lunt-Fontanne Theatre.

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Something Rotten - Broadway - Sean Ritenauer


Sean Ritenauer's percussion setup for the Broadway production of Something Rotten at the St James Theatre.

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Something Rotten - Broadway - Perry Cavari


Perry Cavari's drum set setup for the Broadway production of Something Rotten at the St James Theatre.

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Pippin - Broadway - Sean Ritenauer

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Sean Ritenauer's setup for the Broadway revival of Pippin at the Music Box Theatre.

"Probably the most obscure part of the book is a tune where I don’t use a score at all. I have a whole routine of sound effects in quick succession that go directly with acrobatic and circus tricks happening on stage."

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Aladdin - Broadway - Mike Englander


Mike Englander’s setup for the Broadway production of Aladdin at the New Amsterdam Theatre.

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Aladdin - Broadway - John Redsecker

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John Redsecker’s drum set setup for the Broadway production of Aladdin at the New Amsterdam Theatre in New York City.

May 2014

On The Town - Broadway - Charlie Descarfino

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Charlie Descarfino's percussion setup for the Broadway production of On The Town at the Lyric Theatre.

"A first here on Broadway for me, is the use of a 23" timpani…"

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On The Town - Broadway - Rich Rosenzweig

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Rich Rosenzweig's drum set setup for the Broadway production of On The Town at the Lyric Theatre.

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Allegiance - Broadway - Joe Mowatt

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Joe Mowatt's setup for the Broadway production of Allegiance at the Longacre Theatre.

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Cinderella - Broadway - Rich Rosenzweig

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Rich Rosenzweig's drum set setup for the Broadway production of Cinderella at the Broadway Theatre.

"We're all very lucky in this pit, relying almost exclusively on acoustic sound and very little monitor use."

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Cinderella - Broadway - Bill Hayes

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Bill Hayes' percussion setup for the Broadway production of Cinderella at the Broadway Theatre.

"The bells are mounted over the xylophone, and I play virtually everything on both with the same pair of mallets, innovative OS4 in this case, which also work on the nearby bell tree and Mark Tree."

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Lyrics and Lyricists - 92nd Street "Y" - Billy Miller

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Billy Miller's setup for Brush Up Your Shakespeare: The Bard and the Broadway Musical from the "Lyrics and Lyricists" series at the 92nd Street Y in New York City.

"…I decided to bind my music to easily move the book from stand to stand."

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A Chorus Line - Regional - Paul Hansen

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Paul Hansen's percussion setup for A Chorus Line at The 5th Avenue Theatre in Seattle, Washington.

"The one thing I also point out to students tackling this show for the first time is…"

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A Chorus Line - Regional - Alec Wilmart

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Alec Wilmart's drum set setup for A Chorus Line at The 5th Avenue Theatre in Seattle, Washington.

"The Yamaha Oak Custom was a great kit for this show, tuned pretty much wide open with gel mutes to emulate that '70s ‘Dead Drum’ sound"

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Pippin - Broadway - Jared Schonig

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Jared Schonig's drum set setup for the Broadway revival of Pippin at the Music Box Theatre.

"Our revival is enhanced by wonderful circus elements so, in addition to Pippin's classic rock and pop songs…"

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Funny Girl - Regional - Alec Wilmart

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Alec Wilmart's combined book setup for Funny Girl at the Village Theatre in Issaquah, Washington.

"Combining the two parts on this show presented some interesting challenges"

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Les Miserables - Regional - Don Sanderson

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Don Sanderson's setup for The Orlando Shakespeare Theater production of Les Miserables in Orlando Florida.

"The book also calls for a scrape across a wind gong and because I don't own one I used my 20” Zildjian K Flat Ride. I tipped it sideways like a hanging gong and it works fine."

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Tarzan - Regional - Angel Williams

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Angel Williams’ combined book setup for Tarzan at the Kensington Theatre Company in South Jordan, Utah.

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Newsies - Regional - Scott Elford

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Scott Elford's percussion setup for Newsies at the Fox Cities Performing Arts Center in Appleton, Wisconsin.

"My homemade glock/timp combos started out as Promark PST3's (Performer Series Maple Timpani Mallets) that I drilled out and inserted what was left of a broken pair of Promark DFP250's…"

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Seussical - Regional - Benjamin Barham-Wiese

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Benjamin Barham-Wiese’s setup for Seussical at a Community Theater in New York City.

"I am a 15 year old high school student in New York City so it has been a lot of work going to school during the day and playing at night."

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Peter Pan Live - TV - Paul Pizzuti

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Paul Pizzuti's drum set setup for the 2014 recording session of NBC’s Peter Pan Live at Avatar Studios in New York City.

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Peter Pan Live - TV - Bill Hayes

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“For Peter Pan Live!, we had terrific new orchestrations (for a 36 piece orchestra) from Doug Besterman and Danny Troob…"


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Bill Hayes' percussion setup for the 2014 recording session of NBC’s Peter Pan Live at Avatar Studios in New York City.

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Beauty and the Beast - Regional - Brett Beiersdorfer

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Brett Beiersdorffer setup for Second Stage Production’s Beauty and the Beast at the Maria Regina School in Seaford, New York.

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Nice Work If You Can Get It - Broadway - Andy Blanco

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Andy Blanco's percussion setup for the 2012/2013 Broadway Revival of Nice Work If You Can Get It at the Imperial Theatre.

"It worked out well to have the vibraphone and xylophone in this position because there is a lot of back and forth between the two."

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Crazy For you - Regional - Bill Klymus

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Bill Klymus' percussion setup for Crazy For You at the Granville Performing Arts Center in Garland, Texas.

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Thoroughly Modern Millie - Regional - Bill Klymus

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Bill Klymus' percussion setup for Thoroughly Modern Millie at the Granville Performing Arts Center in Garland, Texas.

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Romeo & Bernadette - Off Broadway - Jon Berger

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Jon Berger’s setup for the 2020 Off-Broadway Premier of Romeo & Bernadette: A Musical Tale of Verona and Brooklyn at A.R.T./New York Theatres in New York City.

"The score combines small snippets of Medieval music, some Big Band Swing, 2-Beat, Classical, a bit of 60's Rock, and R&B."

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10/26/20