• Drum Set and Percussion Setups from Musical Theatre and More

Kiss Me Kate - Regional - Jeremy Logan

Jeremy Logan's setup for Kiss Me Kate at the William R. Boone High School in Orlando, Florida.

"One of the coolest parts is in the song 'Cantiamo D’Amore' where you modulate from 7/8 to 4/4 then 2/4, all while keeping that 7 feel constant."

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Guys and Dolls - Regional - Kory Andry

Kory Andry's setup for Guys and Dolls at the Guthrie Theater in Minneapolis, Minnesota.

"Using Regal Tip Conga Sticks allows for movement from conga/bongos/djembe to timbales and crash cymbal."

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Romeo & Bernadette - Off Broadway - Jon Berger

Jon Berger’s setup for the 2020 Off-Broadway Premier of Romeo & Bernadette: A Musical Tale of Verona and Brooklyn at A.R.T./New York Theatres in New York City.

"The score combines small snippets of Medieval music, some Big Band Swing, 2-Beat, Classical, a bit of 60's Rock, and R&B."

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Seussical - Regional - Benjamin Barham-Wiese

Benjamin Barham-Wiese’s setup for Seussical at a Community Theater in New York City.

"I am a 15 year old high school student in New York City so it has been a lot of work going to school during the day and playing at night."

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Austen's Pride - Regional - Dennis J. Arcano

Dennis J Arcano's setup for Austen's Pride, a new musical of Pride and Prejudice at ACT in Ridgefield, Connecticut.

"This setup also included six foot pedals: two on the timpani, a kick drum pedal, a hi-hat pedal..."

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Matilda - Regional - Alec Wilmart

Alec Wilmart's setup for Matilda at the Village Theatre in Issaquah, Washington.

"One of the coolest things about this book is the role of the Bass Drum. I can’t stress enough how important having a concert bass drum is for this show. The lower, the better."

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Working - Regional - Dennis J. Arcano

Dennis J. Arcano’s setup for a brand new, multimedia production of Stephen Schwartz's Working at ACT in Ridgefield, Connecticut.

"The drum set is a 1989 Pearl Export that I stripped off the original black drum wraps."

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Waitress - Tour - Noah Hadland

Noah Hadland's setup for the 2nd National Tour of Waitress at the Southern Alberta Jubilee Auditorium in Calgary, Alberta, Canada.

"While having all the cymbals and drums to hit in a 360 setup is always fun, it's been an awesome experience to try to get the most out of this smaller setup."

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Wicked - Tour - Tim Mulligan

Tim Mulligan's drum set setup for the National Tour of Wicked at the Paramount Theater in Seattle, Washington.

At this performance, Chris Jago was subbing for Tim.

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Urinetown - Regional - Eli Maniscalco

Eli Maniscalco’s setup for Urinetown at the YMCA Boulton Center for the Performing Arts in Bay Shore, New York.

"As a working musician who gigs around town, I favor lightweight hardware that packs up small..."

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Dear Evan Hansen - Tour - Ryan McCausland

Ryan McCausland’s setup for the National Tour of Dear Evan Hansen at the Paramount Theatre in Seattle, Washington.

"Being a part of this production has been an absolute dream come true for me."

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Love Never Dies - Tour - Aaron Nix

Aaron Nix's setup for the 2018 National Tour of Love Never Dies at the Paramount Theatre in Seattle, Washington.

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Pageant - Regional - Scot Sexton

Scot Sexton’s setup for Pageant: The Musical Comedy Beauty Competition at ACT Theatre in Seattle, Washington.

“This was for the premiere show of A Sensible Theatre Company in Seattle, Washington. It is a wonderful drum book, covering lots of different styles of music."

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Side Show - Broadway - Larry Lelli

Larry Lelli's drum set setup for the 2014/2015 Broadway Revival of Side Show at the St. James Theatre in New York City.

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The Hunchback of Notre Dame - Regional - Paul Hansen

Paul Hansen's setup for the The Hunchback of Notre Dame at the 5th Avenue Theatre in Seattle, Washington.

"The Tam Tam has the mounted 'throw ‘n’ go' mallet mount."

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Miss Saigon - Tour - Russ Nyberg

Russ Nyberg's combined book setup for the 2018-2019 National Tour of Miss Saigon at the Providence Performing Arts Center in Providence, Rhode Island.

"I remember the learning curve being a lot steeper verses other shows because there was a bit of choreography and memorization involved. I ran the show down every day to prep as a sub and it certainly benefitted me once I played my first show."

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Spamalot - International - Petter Nilsen

Petter Nilsen’s combined book setup for Spamalot at Romerike Folkehøgskole, in Jessheim, Norway.

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Tuck Everlasting - Regional - Jacob Bradshaw

Jacob Bradshaw’s combined book setup for Tuck Everlasting at Hale Center Theater in Sandy, Utah.

"I combined the percussion and drum set book, which was quite the undertaking."

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Curtains - International - Rob Holinaty

Rob Holinaty’s combined book setup for Curtains at the Drury Lane Theatre in Burlington, Ontario, Canada.

"I am running a microKORG as a MIDI controller through my MacBook Pro into MainStage..."

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Ain't Misbehavin' - Regional - Scot Sexton

Scot Sexton’s setup for the Seattle Musical Theater's production of Ain’t Misbehavin’ in Seattle, Washington.

"The drums I chose on this production are refurbished vintage Ludwig’s that I put Slingerland Beavertails on."

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The Wizard of Oz - International - George English

George English’s setup for The Wizard of Oz at the Crucible Theatre in Sheffield, England.

"As you’ll see from the photos, there’s a large amount of gear, some might say excessive..."

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Life After - International - Jamie Drake

Jamie Drake's setup for the premiere of Life After at the Berkeley Street Theatre in Toronto, Canada.

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Chicago - International - Tim Sellars

Tim Sellars' setup for Chicago at the Court Theatre in Christchurch, New Zealand.

"For the ‘clank’ sound I went with a car brake drum..."

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Miss Saigon - Broadway - Ray Marchica

Ray Marchica's drum set setup for the 2017-2018 Broadway revival of Miss Saigon at the Broadway Theatre.

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Seussical - Regional - Scot Sexton

Scot Sexton’s combined book setup for Seussical with Broadway Bound in Seattle, Washington.

“…I knew I would be juggling sticks, page turns, shakers, and beaters so as I was combining the books I was also working on my layout and choreography.”

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Bright Star - Tour - Steve Bartosik and Joe Mowatt

Joe Mowatt on Steve Bartosik’s setup for the National Tour of Bright Star.

"The use of a Remo Frame Drum on a towel on top of the floor tom made for a perfect ‘suitcase’ sound when played with Promark Broomsticks."

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Aladdin - Tour - Danny Taylor

Danny Taylor’s drum set setup for the North American tour of Aladdin at the Paramount Theatre in Seattle, Washington.

“I took the jingles off of an LP Cyclops Jingle Ring and placed a band of ankle bells on it instead, which I then attached to a DW Lowboy Hi Hat Pedal.”

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Ragtime - Regional - Paul Hansen

Paul Hansen’s setup for Ragtime at the 5th Avenue Theatre in Seattle, Washington.

“Seen here are many of my usual stock effects…”

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Kid Victory - Regional - Greg Landes

Greg Landes’ setup for John Kander’s Kid Victory at the Vineyard Theatre in New York City.

“Michael Starobin did his usual brilliant work with the orchestrations and the drum/percussion book and I always felt challenged musically and engaged throughout the show.”

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Between The Lines - Regional - Sam Wisman

Sam Wisman’s setup for the world premiere and regional tryout of Between The Lines at the Kansas City Repertory Theatre in Kansas City, Missouri.

“The styles and sounds required range from classic Broadway to swing, vaudeville, orchestral, rock, and disco.”

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Groundhog Day - Broadway - Howard Joines

Howard Joines’ setup for the Broadway production of Groundhog Day at the August Wilson Theatre.

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Dreamgirls - Regional - Jim Reif

Jim Reif’s drum set setup for Dreamgirls at the Village Theater in Seattle, Washington.

“The fun never stops and the train keeps on moving.”

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Kiss Me Kate - Regional - Scot Sexton

Scot Sexton’s combined book setup for the Seattle Musical Theaters production of Kiss Me Kate in Seattle, Washington.

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Cats - Broadway - Bill Lanham

Bill Lanham’s drum set setup for the 2016-2017 Broadway Revival of Cats at the Neil Simon Theatre.

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Finding Neverland - Tour - Greg Germann

Greg Germann’s combined book setup for the National Tour of the Broadway show Finding Neverland at the Paramount Theatre in Seattle, Washington.

“The orchestra read was really fun because Elliott Kennedy, the composer and Simon Hale, the orchestrator, were open to letting me try out a few new things.”

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Bandstand - Broadway - Adam Wolfe

Adam Wolfe’s setup for the Broadway production of Bandstand at the Bernard B Jacobs Theatre in New York City.

“When the onstage drummer is playing, I’m either tacet or playing percussion.”

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The 25th Annual Putnam County Spelling Bee - International - Rob Holinaty

Rob Holinaty’s setup for The 25th Annual Putnam County Spelling Bee at the Drury Lane Theatre in Burlington, Ontario, Canada.

“Incorporating the electronics has saved me a lot of space without sacrificing parts of the score.”

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Urinetown - Regional - Chris Roberts

Chris Roberts’ setup for Urinetown at Dartmouth College in Hanover, New Hampshire.

“…This was when I was told the pit was literally a pit (no stairs, or elevators) and the only access were two ladders (one on either side)”

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Seussical - Regional - Chris Roberts

Chris Roberts’ combined book for the Hamilton-Wenham Regional High School production of Seussical in South Hamilton, Massachusetts.

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Fiddler On The Roof - Regional - Chris Roberts

Chris Roberts’ setup for Fiddler On The Roof at the Plymouth State University in Plymouth, New Hampshire.

“I played around with my cymbal choices a bit but went with a 16" and 18" crash. There isn't very much ‘riding’ and I wanted the option to be able to have two crash sounds.”

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Evita - International - Tim Sellars

Tim Sellars’ drum set setup for Showbiz Christchurch’s production of Evita at the Isaac Theatre Royal in Christchurch, New Zealand.

“You may notice that I have the majority of my cymbals on my left side as well as a floor tom to the left of the hi-hat. This is due to me being a left hander, playing on a right handed kit.”

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Memphis - Regional - Whitney Kessling

Whitney Kessling’s setup for Memphis at the Playhouse on the Square in Memphis, Tennessee.

“It was a pretty straight forward drum set show, and fortunately it used a triangle for one song, so I got to use my Miller Machine!”

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Ragtime - International - Craig Given

Craig Given's combined book setup for Ragtime at the National Academy for Singing and Dramatic Art (3rd Year Students Production) in Christchurch, New Zealand.

“I decided to take the two books (drum set and percussion) and combine as much as possible into a single book.”

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Book of Mormon - London's West End - Tim Goodyer

Tim Goodyer's drum set setup for Book of Mormon at the Prince of Wales Theatre in London's West End.Read/See more...

Alex Zarzalejo - Don Juan: The Musical

Alex's combined setup for Don Juan: The Musical at the Teatro de la Luz Philips in Madrid, Spain. Read/See more...

Fame - Tour - Brett Beiersdorfer

Brett's drum-set setup for the national tour of Fame - The Musical at the Stanley Theatre in Utica, New York.Read/See more...

New York Spectacular at Radio City - Joshua Mark Samuels

Joshua's Mark Samuels' drum set setup for the New York Spectacular at Radio City.

"This show was incredible not just because the orchestra and music was fantastic, but also because during one number in the middle of the show, the percussionist and I got off the band car, changed into costumes and headed up to the stage where we ran down the aisle and performed bucket solos."

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Hairspray - International - Tim Sellars

Tim Sellars' drum set setup for Hairspray at the Isaac Theatre Royal in Christchurch, New Zealand for Showbiz Christchurch.

"You'll notice that I have a heavy set up of gear on my left side and this is due to me playing open handed."

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Something Rotten - Broadway - Perry Cavari

Perry Cavari's drum set setup for the Broadway production of Something Rotten at the St James Theatre.

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Mary Poppins - International - Nick Apivor

Nick Apivor's combined set up for Mary Poppins at the Western Canada Theatre in Kamloops, British Columbia, Canada.

"As I was the only percussionist I needed to cover both percussion 1 and 2 books."

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The King and I - Broadway - Dan Haskins

Dan Haskins' percussion set up for Lincoln Center Theater’s production of The King and I, winner of the 2015 Tony Award for Best Musical Revival.

"This was the largest orchestra running on Broadway at 29 players, and also the largest cast at 51 actors/dancers. The drum-set and percussion parts were all played by one person."

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Finding Neverland - Broadway - Joe Choroszewski

Joe Choroszewski’s drum set setup for the Broadway production of Finding Neverland at the Lunt-Fontanne Theatre.

"The Roland pad is mostly integrated with the acoustic kit playing sampled sounds such as concert bass drum, metal pots and pans, and power toms with reverb."

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Fiddler On The Roof - Broadway - Kory Grossman

Kory Grossman's combined book set up for the 2015-2016 Broadway revival of Fiddler on the Roof at the Broadway Theatre.

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Mary Poppins - Regional - Joe Beam

Joe Beam's drum-set setup for Mary Poppins at Theatre Under the Stars in Houston, Texas.Read/See more...

Tarzan - Regional - Rob Fedson

Rob Fedson's setup for Tarzan at the Palace Theatre in Georgetown, Texas (Austin area).

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Cinderella - Regional - David Glover

David Glover's setup for Cinderella at the North Allegheny Senior High School just North of Pittsburgh, Pennsylvania.

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Parade - Regional - Sho Fujieda

Sho Fujieda's setup for Parade at Fullerton College in Fullerton, California.

"Here's a fun technique I used that was shown to me by another pit percussionist. Instead of having a full set of crotales for the single crotale note, I hit the glockenspiel with a finger cymbal on the high E flat."

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Allegiance - Broadway - Joe Mowatt

Joe Mowatt's setup for the Broadway production of Allegiance at the Longacre Theatre.

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How to Succeed in Business Without Really Trying - Regional - Alec Wilmart

Alec Wilmart's drum set setup for How to Succeed in Business Without Really Trying at the 5th Avenue Theatre in Seattle, Washington.

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A Christmas Story - Tour - Matt Watson

Matt Watson's setup for the tour of A Christmas Story.

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Avenue Q - Regional - Mike Wecker

Mike Wecker’s setup for Avenue Q at the Paper Wing Theatre in Monterey, California.

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In The Heights - Regional - Brett Beiersdorfer

Brett Beiersdorfer's setup for In the Heights at the CM Performing Arts Center in Oakdale, New York.

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How the Grinch Stole Christmas - Madison Square Garden - Greg Landes

Greg Landes' drum set setup for the Madison Square Garden production of Dr Seuss' How the Grinch Stole Christmas!

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Godspell - Regional - Greg Hersey

Greg Hersey's setup for Godspell at the Players by the Sea Theatre in Jacksonville Beach, Florida.

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Beauty and the Beast - Tour - Kevin McNaughton

Kevin McNaughton's combined setup for the touring production of Beauty and the Beast.

"We all have our ways of getting the exact sounds we want out of our instruments; here are some little adjustments I’ve made."

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Jordan Holley - Chitty Chitty Bang Bang

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How the Grinch Stole Christmas - Regional - Russ Nyberg

Russ Nyberg's combined book setup for Dr Seuss' How the Grinch Stole Christmas! at the Grand Ole Opry in Nashville, Tennessee.

"There are so many moments where a suspended cymbal roll or timpani hit is snuck into the middle of a groove."

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Jamie Drake - Uncovered: The Music of Simon and Garfunkel

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Next to Normal - International - Tim Collins

Tim Collins' setup for Next to Normal at Macquarie University in New South Wales, Australia.

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Matt Windon - Young Frankenstein

Matt's setup for Young Frankenstein at the Younts Center for Performing Arts in Fountain Inn, South Carolina.  


"I was using my Pearl Masters MCX on the gig. 20" Bass Drum, 12" and 14" Toms and an Aspen Drum Company Snare. I have three Snares that are my 'go to' drums for shows: the 60's Supraphonic, an Odery 13"x6" that just has the perfect crack for a rock show and the Aspen. This one packs so much color, tone and projection into one drum. It was fantastic to capture the Big Band style and grab the Folk style music at the kit.

The cymbals on this gig were my Paiste Dark Energy Series. I had my 14" Hats, 8" Splash, 16" and 15" Crashes and a 21" Ride. These are some of my favorite cymbals on the market. They blend with a beautiful tone and sustain and the crashes respond quick, double as a suspended and can handle some heavy hits for their size. They sound great under a mic and amazingly live with a full orchestra. I've rarely used the 17" or 18".

I was using Vater 8A's, Brushes and Swizzle Sticks, Aquarian Modern Vintage Heads on the Toms, Aquarian TC1 on the Snare and an Aquarian Deep Vintage II on the Bass Drum.

In between my Hi-Hats and Tom were my LP Stealth Jam Block, a higher pitched LP Anniversary Block and an LP Cowbell. It's a blessing and a curse to have them in all black. I also mounted a Pearl Tambourine on the boom stand that housed the gems of my setup, the Miller Machines.

I borrowed your suggestion on the Favorite Mounts from your Setup Shots website and used the Pearl ADP30 mount to get the triangle and finger cymbal machines on one mount. This was a great combo and eliminated some stick changes, while producing excellent tones!

The snare drum above is one of my favorites. I have a bit of a snare drum... Hobby. That's a safe word to keep me out of an asylum and prevent my wife from trying to convince me to sell some and not replace each one with two new ones.

It was a PASIC purchase from my college years. I was drawn towards the drum by one that Andy Reamer used with the Pittsburgh Symphony. Around the time of purchase, the hot items were the Pearl Philharmonic drums and Black Swamp Drums with one strainer and trio units. I loved the idea of being able to use three different strainers to change my sound at the drum. It was a secondary concert drum for me when I originally made the purchase. The construction is fairly simple. It's a ten ply, maple shell with die cast hoops and three Dunnett strainers. The snare combo is composed of the Patterson Blues, wire and Pure Sound Snappy. As my collection of drums expanded and my pit space became more limited, this drum found a few adjustments to the tuning and tension on the snares and worked its way into more pits. It still sounds beautiful with an orchestra, but it just fills that void for us drummers who want the sounds of multiple drums and are limited on space. I am always looking for new ways to achieve the most authentic sounds possible and this was one of my more successful attempts.

On two side notes, I think the ideal snare drum would be the former GMS Concert Model with a different snare combo, snappy and something darker. I believe Steve Gadd had a two strainer drum a while back as well. Those could be modified to be excellent for those of us who aren't in the studio and attempting to have that orchestral sound and the drum set sound out of one snare."

If you're interested in seeing more Setup Shots click here.

On the 20th Century - Broadway - Eric Borghi

Eric's Borghi's setup for the 2015 Broadway revival of On the Twentieth Century at the American Airlines Theatre in New York City.
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Don Sanderson - Spamalot

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Landon Baker - Ringling Bros. Circus

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Damien Bassman - Up Here

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Bob Kogut - Avenue Q

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The Last Ship - Broadway - Joe Bonadio

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Joe Bonadio's setup for the Broadway production of Sting's The Last Ship at the Neil Simon Theatre.

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Beauty and the Beast - Regional - Jaren Angud

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Mary Poppins - Regional - Chris Monroe

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Chris Monroe's drum set setup for the 2014-2015 Winter production of Mary Poppins at the Village Theatre in Everett, Washington.

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Phil Martin - The Book of Mormon

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Wicked - Broadway - Matt Vander Ende

Matt Vander Ende's drum set setup from the currently running Broadway production of Wicked at the Gershwin Theatre.

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Patrick Morrow - The Color Purple

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Side Show - Broadway, Cast Album - Larry Lelli

Larry Lelli's drum set setup for the recording session at Avatar Studios, New York City, for the 2014/2015 Broadway Revival of Side Show.

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Lion King - Broadway - Carter McLean

Carter McLean's drum set setup for the Broadway production of Lion King currently running at the Minskoff Theatre.

"The best part of this show is all the styles you get to play. It has an African/Pop core and then branches off to Rock, Latin, R&B Ballads, and Big Drum breaks."

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Beauty and the Beast - Regional - Brett Beiersdorfer

Brett Beiersdorfer setup Beauty and the Beast.
Brett Beiersdorffer setup for Second Stage Production’s Beauty and the Beast at the Maria Regina School in Seaford, New York.

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Brett Beiersdorfer - Avenue Q

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Taylor Goodson - Paragon Ragtime Orchestra

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Kinky Boots - Brodway - Sammy Merendino

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On The Town - Broadway - Rich Rosenzweig

Rich Rosenzweig's drum set setup for the Broadway production of On The Town at the Lyric Theatre.

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Peter Pan Live - TV - Paul Pizzuti

Paul Pizzuti's drum set setup for the 2014 recording session of NBC’s Peter Pan Live at Avatar Studios in New York City.

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Rick Donato - Dirty Dancing

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Jon Berger - Tim and Scrooge

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Matilda - Broadway - Howard Joines

Howard Joines’ setup from the 2013-2017 Broadway production of Matilda at the Shubert Theater in New York City. Read/See more...

A Chorus Line - Regional - Alec Wilmart

Alec Wilmart's drum set setup for A Chorus Line at The 5th Avenue Theatre in Seattle, Washington.

"The Yamaha Oak Custom was a great kit for this show, tuned pretty much wide open with gel mutes to emulate that '70s ‘Dead Drum’ sound"

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Aladdin - Broadway - John Redsecker

John Redsecker’s drum set setup for the Broadway production of Aladdin at the New Amsterdam Theatre in New York City.

May 2014

Jeff Snider - The Addams Family


Jeff's setup from the National Tour of The Addams Family.

Jeff is a proud endorser of Soultone Cymbals.

Evita - Broadway - Bill Lanham

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Bill Lanham's drum set setup for the 2012-2013 Broadway Revival of Evita at the Marquis Theatre.

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The Book of Mormon - Broadway - Sean McDaniel

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Giancarlo de Trizio - In The Heights

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Mamma Mia - Broadway - Ray Marchica

Ray Marchica's drum set setup for the Broadway production of Mamma Mia at the Broadhurst Theatre.

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Joe Mowatt - Vanities

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Joel Morris - Bull Durham

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Les Miserables - Regional - Don Sanderson

Don Sanderson's setup for The Orlando Shakespeare Theater production of Les Miserables in Orlando Florida.

"The book also calls for a scrape across a wind gong and because I don't own one I used my 20” Zildjian K Flat Ride. I tipped it sideways like a hanging gong and it works fine."

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Andy Sullivan - Spamalot

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Michael Blancaflor - Found: A New Musical

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Ryan McCausland - Analog & Vinyl

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Crazy For You - Regional - Ryan McCausland

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Billy Miller - Most Happy Fella

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If/Then - Broadway - Damien Bassman

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Don Sanderson & Matt Ohrberg - Big Fish

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Walter White - Sentimental Journey Orchestra

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Funny Girl - Regional - Alec Wilmart

Alec Wilmart's combined book setup for Funny Girl at the Village Theatre in Issaquah, Washington.

"Combining the two parts on this show presented some interesting challenges"

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Danny Young - We Will Rock You

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Greg Landes - Synchronicity/Original Music

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Motown The Musical - Broadway - Buddy Williams

Buddy William's drum set setup for the Broadway production of Motown the Musical.Read/See more...

Jason Degenhardt - Mary Poppins

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Jacob Levitin - Circus Smirkus

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Jamie Drake - John And Jen

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Nick Bonaccio - Little Threepenny Music

Nick’s Bonaccio'ssetup for Kurt Weill’s Little Threepenny Music (suite from Threepenny Opera) with the Eastman Wind Ensemble in Kilbourn Hall with guest conductor Charles Peltz of the New England Conservatory. Read/See more...

The Bridges Of Madison County - Broadway - Benny Koonyevsky

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Jim Reif - The Tutor

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Aaron Staebell - Young Frankenstein

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Justin Akira Kono - Ragtime

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John Rucker - Big: The Musical

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Josh Brown - Review Show

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Ryan McCausland - Carousel

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Mark Howard - The Drowsy Chaperone

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Heinrich Kruse - West Side Story

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Michael Blancaflor - Les Miserables

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Murph Aucamp - Floyd Collins

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Paul Keesling - Beaches

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Katie Steinhauer - Bring It On: The Musical

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Ryan McCausland - Footloose

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Mark Carson - A Funny Thing Happened on the Way to the Forum

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Newsies - Broadway - Paul Davis

Paul Davis' setup for the Broadway production of Newsies at the Nederlander Theatre.

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Big Fish - Broadway - Perry Cavari

Perry Cavari's drum set setup for the Broadway production of Big Fish at the Neil Simon Theatre.

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Mio - Die Fledermaus

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Katie Steinhauer - A Year with Frog and Toad

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David Edricks - LMNOP

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Hal Davis - Happy Days

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Evita - Tour - Adam Wolfe

Adam Wolfe's drum set setup for the National Tour of Evita.

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Ryan McCausland - Little Shop of Horrors

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Clay Barnum - Avenue Q

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Jay Mack - Little Miss Sunshine

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The Witches of Eastwick - International - Nick Anderson

Nick Anderson's setup for The Witches Of Eastwick at the Derby Theatre in Derby, United Kingdom.Read/See more...

Brian Boyce - Broadway Under The Stars

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Jason Degenhardt - Parade

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James Pingenot - Iron Curtain

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How the Grinch Stole Christmas - Cast Album - Greg Landes

Greg Landes’ drum set setup for the cast album of Dr Seuss' How the Grinch Stole Christmas! at the Manhattan Center Grand Ballroom in New York City.

"The show originally opened in 2006 but we finally got to create a fantastic cast album this past August 2013."

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Jon Ball - Summer of '42

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Mike Drake - Side Show

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Life Could Be A Dream - Off Broadway - Adam Wolfe

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Jon Ball - Really Rosie & The World Goes 'Round

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Pippin - Broadway - Jared Schonig

Jared Schonig's drum set setup for the Broadway revival of Pippin at the Music Box Theatre.

"Our revival is enhanced by wonderful circus elements so, in addition to Pippin's classic rock and pop songs…"

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Jason Degenhardt - Les Miserables

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Jay Mack - Nobody Loves You

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The Cradle Will Rock - New York City Center Encores! - Billy Miller

Billy Miller's setup from the New York City Center Encores! production of The Cradle Will Rock.

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Charlie Descarfino - Far From Heaven

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Spencer Goad - The Fantasticks

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Brad Wetmore & Dori Shimer - Funny Girl

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David Lotfi - Next To Normal

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Lyrics and Lyricists - 92nd Street "Y" - Billy Miller

Billy Miller's setup for Brush Up Your Shakespeare: The Bard and the Broadway Musical from the "Lyrics and Lyricists" series at the 92nd Street Y in New York City.

"…I decided to bind my music to easily move the book from stand to stand."

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Jon Berger - Pulse

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Cats - Regional - Brandon Miller

Brandon Miller's combined book for Cats at the Dutch Apple Dinner Theater in Lancaster, Pennsylvania.

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Adam Wolfe - Bunty Berman Presents...

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Jason Degenhardt - Next To Normal

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Spencer Goad - The Music Man

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Zac Stowell - Bat Boy: The Musical

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Josh Brown - King of the Road

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Cinderella - Broadway - Rich Rosenzweig

Rich Rosenzweig's drum set setup for the Broadway production of Cinderella at the Broadway Theatre.

"We're all very lucky in this pit, relying almost exclusively on acoustic sound and very little monitor use."

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Avenue Q - Off-Broadway - Joe Choroszewski

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James Pingenot - Marie Christine

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Eric Wagner - Fiddler On The Roof

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Zac Stowell - Next to Normal

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Drew Lang - Fiddler On The Roof

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Pete DeSalvo - White Christmas The Musical

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Nick Coulter - The Wizard Of Oz

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How the Grinch Stole Christmas - Regional - Greg Landes

Greg Landes' combined book setup for Dr Seuss’ How the Grinch Stole Christmas! at the Wang Theatre in Boston, Massachusetts.

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Joe Mowatt - Bare

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Annie - Broadway - Eric Poland

Eric Poland's drum set setup from the Broadway revival of Annie at the Palace Theatre.Read/See more...

Nice Work If You Can Get it - Broadway - Eric Poland

Eric Poland's drum set setup for Nice Work If You Can Get It from the 2012/2013 Broadway Revival at the Imperial Theatre.

"My goal was to get a sound closest to calf without having to deal with the upkeep and inconsistencies of natural heads.”

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Dennis J. Arcano - New Haven Symphony

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Mike Drake - This Beautiful City

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Joe Mowatt - Now. Hear. This.

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Chaplin - Broadway - Shannon Ford

Shannon Ford - Chaplin Setup Shot
Shannon Ford's setup for the Broadway production of Chaplin The Musical.

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Assassins - Regional - Patrick Morrow

Patrick Morrow's setup from The Milwaukee Rep production of Assassins.

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Ross Hamilton - Honk! The Musical

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Billy Miller - Gentlemen Prefer Blondes

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Fiddler On The Roof - Broadway - Billy Miller

Billy Miller’s setup for the Broadway revival of Fiddler On The Roof.

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